25-string Guitarron Chileno with moustache bridge

Guitarrón Chileno

Origin
Chile
Tuning
Tuning for guitarrón Chileno in five choruses with four diablitos: B4 and Gsharp4 steel diablito strings; two E4 steel and three E3 wound steel strings; four A4 steel and two A3 wound steel strings; two D5 nylon, one D4 wound steel and one D3 wound steel strings; three Fsharp4 steel strings; three B4 nylon strings; and A4 and Csharp5 steel diablito strings
Strings/Courses
25/9
String Gauges
Four Diablitos = .007
E Course = .024 *2 metal G strings, .024w *2 wound G strings, .056w *1 wound low E string
A Course = .017 *3 metal B strings, .042w *2 wound A strings
D Course = .014 *2 nylon high E strings, .034w *1 wound D string, .056w *1 wound low E string
F# Course = .024 *3 metal G strings
B Course = .017 *3 nylon B strings
Scale Length
580mm
Luthier

Sebastian Saldarriaga, who lives in La Serena, Chile, has built many different types of instruments over the years. This is the seventh Guitarrón Chileno that he has built. It took a lot more time than I expected to recieve it, but it is a very nice quality instrument. The only thing that I will have to change on it are the tuning machines.

He has a blog located at: http://saldarriagaluthier.blogspot.com/

Story

Purchasing this instrument was such an experience! Some parts fascinating, some parts frustrating. Since this was my first international purchase through the mail, it was quite a learning experience.

It all began after I worked on a cigar-box guitar with my step-father during Thanksgiving break in 2010. It appears that looking at all the different tuning options sparked my interest enough to do deep research into other instruments. Also, a catalyst for the benign obsession was probably picking up a mandolin (see the mandolin story for details), and my parents giving a ukulele to my daughter as a gift.

After some digging, I stumbled across a link that contained tunings from many different ethnic instruments. While I was looking at all the instruments with more than twelve strings, the Guitarrón Chileno caught my eye.

I did some internet searches for a luthier to build one, but I could only find one available from a company called Mesko, which is located in Santiago, Chile. After a couple of phone calls to the store, I realized that I mistakenly assumed that they would be able to communicate to me via English. Frustrated, I still looked for another luthier.

Many months later, I found one that would agree to build one for the same price that the other company quoted on their site. Due to the luthier asking for payment at the same time he was moving to another country, it was far from a smooth transaction. Thankfully, the money was eventually picked up by him, and everything worked out.

I only know of one person in the United States that has actually learned how to properly play the instrument in Chile. She presently does not live too far away from me, so I might get the courage to ask her for lessons someday.

My recommended strings
D’Addario Plain Steel Acoustic or Electric .007, PL007 for the Diablitos. Ernie Ball Earthwood Lights for the metal/wound strings, and La Bella Classical for the nylon strings.
Alternative Tunings
(A5, F#5), D4 D4 D3 D3 D2, G4 G4 G4 G3 G2, C4 C4 C4 C3 C2, E4 E4 E4, A4 A4 A4, (G5, B5)
Further Notes
See the dissertation listed in the sources for details on optional tunings. The name of the instrument is Spanish for ‘Chilean large Guitar’. Traditionally, both steel and nylon strings can be used. Also, I have seen all steel strings used though as well.

Example Instrument:

Model
Saldarriaga VII
Top Material
Solid Spruce
Rosette Material
Multi-Colored
Top Bracing Pattern
Martin “X” Style
Back Material
Mahogany
Side Material
Mahogany
Neck Material
Mahagony/Purpleheart
Nut Material
Bone
Headstock
Mahogany
Fingerboard Material
Purpleheart
Number of Frets Clear
10
Number of Frets Total
1
Finish Back and Sides
Nitrocellulose
Bridge Material
Aromo
Tuning machines
*Need to be replaced*

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